Miami, 1980. The streets are tense, the airwaves are burning, and the fight for the soul of the city has begun. Based on explosive true events, English Only unfolds in the wake of the Mariel Boatlift, when 125,000 new arrivals to South Florida ignited a fierce grassroots campaign to make English the county’s sole language—sparking a showdown with activists determined to keep Miami-Dade bilingual. A gripping, high-stakes portrait of a city—and a country—at a crossroads.

Part confession, part live investigation, Todo Lo Que No Dije invites the audience to pass, read, and even launch postcards as clues in a mystery of memory: what do we owe the people who disappeared from our lives—and what do they still owe us? Following a trail from a flea-market message to a Madrid nursing home, this tender, funny, and disarmingly participatory new work turns spectators into collaborators in a case about loss, language, and the courage to call.